The Vitra Eames Fiberglass High Stool marks the further evolution of the iconic Charles & Ray Eames stools, which have been a worldwide household name for more than 60 years.
The Vitra Eames Fiberglass High Stool marks the further evolution of the iconic Charles & Ray Eames stools, which have been a worldwide household name for more than 60 years.
The Vitra Eames Fiberglass Stool marks the further evolution of the iconic Charles & Ray Eames stools, which have been a worldwide household name for more than 60 years.
The Vitra Eames Fiberglass Stool marks the further evolution of the iconic Charles & Ray Eames stools, which have been a worldwide household name for more than 60 years.
The design classic EA 108 (office) chair from Vitra adapts to the body and is exceptionally comfortable for private and work use.
The design classic EA 104 (office) chair from Vitra adapts to the body and is exceptionally comfortable for private and work use.
The EA 103 (office) chair adapts to your body and is exceptionally comfortable,
the chair is part of Vitra's extensive group of Eames Aluminum Chairs.
The flexible Vitra LTR Occasional table with wire steel frame is a timeless and functional design by Charles & Ray Eames from 1950.
The flexible Vitra LTR Occasional table with wire steel frame is a timeless and functional design by Charles & Ray Eames from 1950.
Ronan Bouroullec's drawings are an example of 'intuitive drawing'
Ronan Bouroullec's drawings are an example of 'intuitive drawing'
Ronan Bouroullec's drawings are an example of 'intuitive drawing'
Ronan Bouroullec's drawings are an example of 'intuitive drawing'
The Slow Chair from Vitra is an exceptionally light and comfortable armchair for inside and outside.
The light and elegant Eames Plastic Chairs by Vitra have been a worldwide concept for more than 60 years and are also known as the wire chair with the Eiffel base.
A family business for eighty years, Vitra believes in lasting relationships with customers, employees and designers, durable products, sustainable growth and the power of good design.
The Swiss Vitra has been producing beautiful and iconic chairs, tables, lamps and home accessories for private homes as well as offices and public spaces since the 1950s. The strength of the brand lies in the products designed by the world's most renowned designers such as Charles and Ray Eames, Verner Panton, Jean Prouvé, Hella Jongerius, the Bouroullec brothers and many others. Together with them, they make high-quality design furniture with an eye for sustainability and innovation. Vitra already has many design classics to its name, such as the very popular Eames Loungechair and the Eames Plastic Chairs. The collaboration between Vitra and Ray and Charles Eames in the 1940s/50s was therefore a golden opportunity.
The Vitra Chairs:
Vitra is well known for its chair collection. For example, there is the Panton Chair, DSW, DAR, DAW and the DSR series, all very specific and iconic by now.
The Vitra tables:
There are dining side tables and coffee tables, most designed by Charles & Ray Eames. But the tables of the other designers are also very well known, such as the coffee table by the designer Isamu Noguchi. this table has a sculptural organic shape and a ditto glass table top.
Vitra Lamps:
Then you immediately think of the Akari collection, which consists of no less than 55 versions, this series was designed by Isamu Noguchi. The series consists of floor lamps, pendant lamps and table lamps. All these lamps are still made by hand from shoji paper and therefore beautifully traditionally filtered, creating a warm glow and a pleasant atmosphere.
Vitra Clocks
All Vitra clocks are designed by George Nelson, a well-known designer from the United States. Today, the studio of designer George Nelson is considered one of the founders of American modernism and one of the most influential American furniture designers of the 1950s. Nelson was active as a designer, graphic artist, architect, exhibition organizer, design manager and design promoter. A design critic and theorist, he is also the author of a number of books 'Tomorrow's House' (1947), 'Problems of Design' (1957), 'How to see' (1977), 'On Design' (1979), and a special rich journalistic body of work that has influenced the international approach to design and architecture for decades.