Verner Panton's iconic Panton chair from 1960 is 100% recyclable and now comes in a new height, available in many beautiful colors.
The Vitra's Standard Chair, a design by Jean Prouvé from 1934, has a special metal structure that is inspired by Prouvé's technical background.
Thanks to the special shoji paper of which the lamp is made, the cold light from the light source is converted into a beautiful, warm light.
The iconic Eames House Bird enriched the well-known Eames House of designer couple Charles and Ray Eames and is available in black and walnut.
The iconic table is built on two identical wooden elements, which support the rounded tabletop made of thick, durable glass.
The modern and clean design Hal Soft Tube chair by Vitra combines a tube base with a smoothly shaped and upholstered seat.
The Vitra Eames RE DSX chair is a fine example of practical and aesthetic design.
In the 1950s, Charles and Ray began experimenting with bent and welded wire. Inspired by trays, clothing shapes and wire baskets, Eames Office developed a number of iconic pieces, including this stool.
The book Eames & Vitra provides a fascinating overview and insight into the long collaboration between the renowned American design duo and the Swiss furniture manufacturer.
The miniatures from Vitra are real collector's items and show the classics from the history of modern furniture.
The Wiggle Side Chair was designed in 1972 by Frank Gehry for Vitra.
The light and elegant Eames Plastic Chairs by Vitra have been a worldwide concept for more than 60 years and are also known as the wire chair with the Eiffel base.
The light and elegant Eames Plastic Chairs by Vitra have been a worldwide concept for more than 60 years and are also known as the wire chair with the Eiffel base.
Verner Panton's iconic Panton chair from 1960 is 100% recyclable and now comes in a new height, available in many beautiful colors.
Verner Panton's iconic Panton chair from 1960 is 100% recyclable and now comes in a new height, available in many beautiful colors.
A family business for eighty years, Vitra believes in lasting relationships with customers, employees and designers, durable products, sustainable growth and the power of good design.
The Swiss Vitra has been producing beautiful and iconic chairs, tables, lamps and home accessories for private homes as well as offices and public spaces since the 1950s. The strength of the brand lies in the products designed by the world's most renowned designers such as Charles and Ray Eames, Verner Panton, Jean Prouvé, Hella Jongerius, the Bouroullec brothers and many others. Together with them, they make high-quality design furniture with an eye for sustainability and innovation. Vitra already has many design classics to its name, such as the very popular Eames Loungechair and the Eames Plastic Chairs. The collaboration between Vitra and Ray and Charles Eames in the 1940s/50s was therefore a golden opportunity.
The Vitra Chairs:
Vitra is well known for its chair collection. For example, there is the Panton Chair, DSW, DAR, DAW and the DSR series, all very specific and iconic by now.
The Vitra tables:
There are dining side tables and coffee tables, most designed by Charles & Ray Eames. But the tables of the other designers are also very well known, such as the coffee table by the designer Isamu Noguchi. this table has a sculptural organic shape and a ditto glass table top.
Vitra Lamps:
Then you immediately think of the Akari collection, which consists of no less than 55 versions, this series was designed by Isamu Noguchi. The series consists of floor lamps, pendant lamps and table lamps. All these lamps are still made by hand from shoji paper and therefore beautifully traditionally filtered, creating a warm glow and a pleasant atmosphere.
Vitra Clocks
All Vitra clocks are designed by George Nelson, a well-known designer from the United States. Today, the studio of designer George Nelson is considered one of the founders of American modernism and one of the most influential American furniture designers of the 1950s. Nelson was active as a designer, graphic artist, architect, exhibition organizer, design manager and design promoter. A design critic and theorist, he is also the author of a number of books 'Tomorrow's House' (1947), 'Problems of Design' (1957), 'How to see' (1977), 'On Design' (1979), and a special rich journalistic body of work that has influenced the international approach to design and architecture for decades.